{"id":313,"date":"2014-01-24T20:39:56","date_gmt":"2014-01-24T19:39:56","guid":{"rendered":"http:\/\/stridenight.com\/?p=313"},"modified":"2014-07-09T21:57:57","modified_gmt":"2014-07-09T19:57:57","slug":"313","status":"publish","type":"post","link":"https:\/\/stridenight.com\/?p=313","title":{"rendered":"Marcellus Pittman 20.2. Reitschule Bern"},"content":{"rendered":"<p>Malik began his DJ pursuits for college parties, wedding receptions, \u201cold school parties\u201d in the early 90\u2019s.\u00a0 In 1993, Malik released his initial work of production with local Hip-Hop collective \u201cHome Grown\u201d.<\/p>\n<p>Shortly thereafter, he released \u201cEssential Selections, Vol. 1\u201d on the S<strong>ound Signature<\/strong> label, headed by <strong>Theo Parrish<\/strong>.\u00a0 In 1998, Malik forged a working relationship with <strong>Rick Wilhite, Theo Parrish <\/strong>and<strong> Kenny \u201cMoodymann\u201d Dixon<\/strong>, collectively known as the <strong>3 Chairs<\/strong>.\u00a0 As production artists and selectors, they have helped to define an integral part of the Detroit sound.Malik\u2019s sound has been around the Detroit and surrounding areas, as well as internationally, spanning Canada, the UK, Germany, Japan and Paris.<\/p>\n<p>His dedication to production ushered the discontinuation of his latest residency with Northern Lights in Detroit.\u00a0 Malik is currently heading his own label, <strong>Unirhythm<\/strong>, which will release his upcoming projects.<\/p>\n<p>Supported by DJ&#8217;s <strong>Sassy J<\/strong> (Patchwork\/Stride) &amp; <strong>Kev the Head<\/strong> (Stride)<\/p>\n<p>Thursday February 20th, R\u00f6ssli Reitschule Bern<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Malik began his DJ pursuits for college parties, wedding receptions, \u201cold school parties\u201d in the early 90\u2019s.\u00a0 In 1993, Malik released his initial work of production with local Hip-Hop collective \u201cHome Grown\u201d. Shortly thereafter, he released \u201cEssential Selections, Vol. 1\u201d on the Sound Signature label, headed by Theo Parrish.\u00a0 In 1998, Malik forged a working [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":317,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,3],"tags":[],"_links":{"self":[{"href":"https:\/\/stridenight.com\/index.php?rest_route=\/wp\/v2\/posts\/313"}],"collection":[{"href":"https:\/\/stridenight.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stridenight.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stridenight.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stridenight.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=313"}],"version-history":[{"count":4,"href":"https:\/\/stridenight.com\/index.php?rest_route=\/wp\/v2\/posts\/313\/revisions"}],"predecessor-version":[{"id":324,"href":"https:\/\/stridenight.com\/index.php?rest_route=\/wp\/v2\/posts\/313\/revisions\/324"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/stridenight.com\/index.php?rest_route=\/wp\/v2\/media\/317"}],"wp:attachment":[{"href":"https:\/\/stridenight.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stridenight.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stridenight.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}